Get ready for a captivating yet controversial cinematic experience with Hamnet, a Shakespearean drama that’s generating Oscar buzz. While it boasts an impressive cast and crew, including Paul Mescal and Jessie Buckley, some critics argue that it falls short of its potential.
The Promise of Hamnet
Adapted from Maggie O’Farrell’s acclaimed novel, Hamnet is a film that has captured the attention of many. With a stellar cast, an Oscar-winning director (Chloé Zhao), and the genius of William Shakespeare himself, it’s no wonder that this film is generating a lot of excitement. The premise is intriguing: the tragic death of Shakespeare’s son, Hamnet, is believed to have inspired the writing of Hamlet, one of the greatest plays in English literature.
But here’s where it gets controversial: does Hamnet deliver on its promise?
A Lack of Subtlety
From the very beginning, it’s evident that Hamnet takes a direct approach. The early scenes, reminiscent of Shakespeare in Love, introduce us to Buckley’s character, Anne Hathaway (or Agnes), a farmer’s daughter with a wild streak and a connection to nature. Mescal plays Will, a glovemaker’s son and aspiring playwright. The two characters’ romance is sweet, but it lacks the authenticity that many viewers crave.
The film’s lack of subtlety extends to its portrayal of Stratford-upon-Avon, which feels oddly empty and devoid of life. The conversations are filled with Shakespearean quotes and explanations that feel forced and unnecessary. Even the twins, Hamnet and Judith, played by Jacobi Jupe and Olivia Lynes, fail to capture the uncanny similarity promised by the film’s conceit.
And this is the part most people miss: it’s not just the visuals and dialogue that feel off. Hamnet has stripped away the magical elements of O’Farrell’s novel, including its unique structure, hypnotic prose, and internal monologues. What’s left is a costume drama that, while entertaining, doesn’t offer the depth and authenticity that its stellar personnel suggest.
A Moving, Yet Manipulative Experience
Despite its flaws, Hamnet is not without its merits. Buckley delivers a performance that is distinctly her own, and the film’s opening scenes are sure to tug at your heartstrings. But the question remains: is it enough to make Hamnet a film of the year?
What do you think? Is Hamnet a masterpiece or a missed opportunity? Let us know in the comments and join the discussion!